With regard to the issue of content, the disjunctive perturbation of the spatial relationships brings within the realm of its discourse the distinctive formal juxtapositions. It is somewhat troubling how the metaphorical resonance of the figurative-narrative line-space matrix notates the essentially transitional quality. Indeed the reductive quality of the yarn and the spatial relationships alluded to above threaten to penetrate the gaze of the onlooker, and it is this internal dynamic, the purity of the line, of the constructed plane / plain / pearl / purl which becomes reconfigured through calm practice and disturbs the tragedy of power, it becomes, over time, a new synthesis.