Having recently read a novel by Celia Imrie, my first thoughts on receiving this novel by Janet Ellis were: ‘Oh no, not another actor attempting to write’. Celia Imrie’s novel, whilst a good example of ‘chick-lit’, and quite enjoyable in a holiday/beach-read type of way, could hardly be classed as quality literature. How wrong I was! This novel by Janet Ellis is amazing – especially as it is a first novel. I was ‘hooked’ from the start, and intrigued by the characters and the relationships. Not so much a ‘coming of age’ novel as a ‘coming of rage’ novel. Anne Jaccob though manages to maintain the sympathy of the reader, in spite of her outrageous actions. She is so vulnerable, and so starved of love and affection – a little bit like the young Jane Eyre, perhaps, at the beginning. All the characters were portrayed in an interesting way, from the rough butcher’s boy Fub to the revolting Mr Onions – interestingly a vegetarian! The female servants and Anne’s mother were given shadowy roles, as one might expect for females in the 18th century. Throughout I loved Ellis’ detailed observations and the dark imagery which permeates the novel. At first I was puzzled by the title (Butcher’s Hook = look in rhyming slang). But this seems to link in with Anne’s desire for attention and love, as well as in the blood and butchery images which run sordidly throughout. And the London setting, of course. The present tense also added to the urgency of the novel.
As for questions for Janet: I would love to know more about her creative writing course at Curtis Brown. And why was she so specific about the year in which it was set – 1763 – when this didn’t really link to any particular historical event? Also, I’m not sure that the division of the novel into 3 parts with the quotations from John Donne was really necessary – I’d love to hear why she did this. By the way, I loved the cover: the words of the title seemed to shimmer and leap off the front cover at me because of the gold/turquoise contrast – and the intriguing illustrations were wonderful – but why a hard back? This makes it more difficult to sneak into my handbag and read at odd moments.
I would definitely read more novels by Janet Ellis and hope that this is the start of a long writing career. What a contrast to ‘Blue Peter’! There are lots of unanswered questions – so perhaps a sequel? Many thanks, Janet. I thought I would struggle to read this before the end of the month, but I couldn't put it down!