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RESTLESS by William Boyd

(94 Posts)
flowerfriend Thu 13-Dec-12 19:58:15

I love this book. I have read it twice and would highly recommend it. There is a story and there is something thought-provoking too and I hope the tv adaptation does this justice.

DavidH22 Mon 21-Jan-13 10:31:00

Found it a gripping story which I thoroughly enjoyed especially the way the lives of the two generations came together for the climax. Any reason you decided on a mother and daughter as the main characters and had you given any thought to making the two characters males before plumping for females? Hope you answer Heather84's question as I had the same thought.
Is there any basis in fact of the work Eva and her colleagues did in America before the USA came into the Second World War although it would not surprise me in the least if it was true?

flopsybunny Tue 22-Jan-13 20:19:31

I think the Prenslo incident in the book is based on the real-life Venlo incident on the Dutch-German border?

What I wanted to ask is why the agent gave Eva the wrong code word? Surely if it was all a set-up he would have given her the one she was expecting? I know this is a point of detail but it is really bothering me!

And why does her explanation have such a positive impact on the top brass? The Brits were duped and it's hard to see why the fact the agent said Amsterdam rather than Paris (or possibly the other way round) would have improved the situation.

Thanks - I really enjoyed the book.

sneetch Tue 22-Jan-13 20:23:06

I loved the fact that the modern part of the book was set in Oxford in the summer of 1976, because I was in Oxford that summer. I was young and I think assumed that all summers were like that.

I wondered why both the central characters are so emotionally detached? Were you saying something about the qualities needed for spying (except Ruth wasn't really a spy, of course)?

closetgran Tue 22-Jan-13 20:25:42

I think - especially if flopsybunny's suggestion is right - that your books are very well-researched. So were there really loose canons like Romer operating more or less as freelances under SIS at that time? It seems extraordinary!

downwithcupcakes Wed 23-Jan-13 09:58:50

Both your central characters seem psychologically denuded. Eva doesn't really react when Romer pimps her, although she is in love with him, she says.

Well, OK, it's wartime and there's a bigger picture - but also Ruth hardly reacts when she finds out her mother is a completely different person from the one she thought. A modern character might have been expected to have a crisis about her own identity.

I wondered why, as someone who has actually put Freud in a novel in the past, you decided to do without the expected psychological responses in Restless? Were you making a particular point?

crostini Wed 23-Jan-13 11:16:18

What were the biggest challenges you faced in adapting the book? I found Romer's sending Eva to La Cruces rather perplexing without all the backstory of Russia's changing fortunes in the war.

And what did you make of the direction? I couldn't understand what that weird country house was where Ruth went to interview Romer. In the book she goes to his club, I think, which makes far more sense.

WilliamBoyd Wed 23-Jan-13 12:53:25

GeraldineGransnet

Hope those of you who watched the television adaptation over Christmas enjoyed it and reading the book is proving an interesting compare-and-contrast.

Also that those who received a copy worked out eventually that it was from Gransnet [fsmile]

William Boyd will be joining us for a live webchat on Wednesday 23 January from 1-2pm. Do add a question here.

test

GeraldineGransnet (GNHQ) Wed 23-Jan-13 13:04:24

We're delighted that William's here and we're ready to go!

topcat Wed 23-Jan-13 13:07:59

Hi William,

I am a big fan of your books. What is the secret of longevity for a novelist? Does it get easier or harder?

Alphafemale Wed 23-Jan-13 13:11:12

For a literary novelist, you are very good at plot. I do like a book with plot! smile

Do you have it all worked out before you start writing - and if so, how do you then stop the writing process from feeling formulaic?

WilliamBoyd Wed 23-Jan-13 13:11:58

crostini

What were the biggest challenges you faced in adapting the book? I found Romer's sending Eva to La Cruces rather perplexing without all the backstory of Russia's changing fortunes in the war.

And what did you make of the direction? I couldn't understand what that weird country house was where Ruth went to interview Romer. In the book she goes to his club, I think, which makes far more sense.

It's always the same challenge, the art forms are so different. You can do ANYTHING in a novel -- film is a world of parameters, compromises and impossibilities. It's photography - everything is seen through the lens of a camera. It's a wholly different medium. So - what can't you do is the first question when you adapt and most of your decisions revolve around what you leave out. You cannot just faithfully replicate what's in the book.

I was fantastically pleased with the films (i wrote the script) and I thought the director Ed Hall did a superb job.

Goodjeans Wed 23-Jan-13 13:13:16

Hello William

I really loved Restless and would love to read more of your work. Where would you recommend I start, given that Restless was definitely my type of thing? Are your other books similar?

WilliamBoyd Wed 23-Jan-13 13:14:34

Alphafemale

For a literary novelist, you are very good at plot. I do like a book with plot! smile

Do you have it all worked out before you start writing - and if so, how do you then stop the writing process from feeling formulaic?

Yes, it takes me twice as long to figure out and research a novel as it does to write it. I don't start until I know exactly how my story is going to end. Every novelist has his/her own method and because my novels have very complicated plots I'd be quickly lost if i didn't spend so much time working out the layers of narrative. There's nothing formulaic about it, believe you me!

petitpois Wed 23-Jan-13 13:16:09

Were you a spy? How do you know so much about that world?

granIT Wed 23-Jan-13 13:16:43

The spy story is a genre but restless doesn't really feel like a genre novel. Do you like using genre as a basis for writing and how much of a struggle is it to escape the conventions and do something different?

WilliamBoyd Wed 23-Jan-13 13:17:23

topcat

Hi William,

I am a big fan of your books. What is the secret of longevity for a novelist? Does it get easier or harder?

Thank you, Topcat. I think the secret is to do with having a well-functioning imagination -- and also stamina. It takes me three years to invent and write a novel -- so there has to be something dogged about the process. I have ideas for my next two novels (I've written 12 so far) so the imagination is still working. If that packed up all the stamina in the world would be no use

frangipane Wed 23-Jan-13 13:18:37

Hi, is it true that you make wine? Are you very hands on? And is the wine you produce any good?!

hopefulgran Wed 23-Jan-13 13:21:15

Do you have a view about what happens to Ruth at the end of the book? I was rather hoping she was going to end up with the academic, Thomas or whatever he was called.

WilliamBoyd Wed 23-Jan-13 13:22:02

granIT

The spy story is a genre but restless doesn't really feel like a genre novel. Do you like using genre as a basis for writing and how much of a struggle is it to escape the conventions and do something different?

I go to genre a lot to add some dynamism to the story I'm telling -- a motor. Armadillo is a conspiracy thriller set in the City. The Blue Afternoon (a love story) borrows from the serial-killer novel.

The spy novel is so alluring because it deals with such big questions -- identity, duplicity, betrayal, jeopardy -- for this reason many so-called literary noveists have been drawn to it; Joseph Conrad,Graham greeene, Muriel Spark, Anthony Burgess, John Banville, Ian McEwan, for example have all written at least one spy novel. As a rule, the easiest way to escape genre is to avoid cliche -- cliches of narrative, character and language.

WilliamBoyd Wed 23-Jan-13 13:24:06

frangipane

Hi, is it true that you make wine? Are you very hands on? And is the wine you produce any good?!

I'm the proprietor of a small vineyard in SW France. I don't actually make the wine (talented winemakers do that) but it's marketed under my name and the name of our house -- if you're interested, frangipane! We make a rose, a dry white and a good drinking red -- called CHATEAU PECACHARD

eurggh Wed 23-Jan-13 13:25:41

Is Delectorskya an actual Russian name? Did you mean people to think "delectable" when they read it?

WilliamBoyd Wed 23-Jan-13 13:26:06

hopefulgran

Do you have a view about what happens to Ruth at the end of the book? I was rather hoping she was going to end up with the academic, Thomas or whatever he was called.

I think she may well end up with him. But I don't like to tie up all the loose ends at the end of my novels. Life isn't like that -- we don't know the answers to everything and the end of every individual journey and I want my novels to reflect that ambiguity about the human condition

WilliamBoyd Wed 23-Jan-13 13:27:49

Goodjeans

Hello William

I really loved Restless and would love to read more of your work. Where would you recommend I start, given that Restless was definitely my type of thing? Are your other books similar?

You might like my latest novel, Goodjeans. It's called Waiting for Sunrise and is about a young actor who becomes a reluctant spy in World War 1.

WilliamBoyd Wed 23-Jan-13 13:29:32

eurggh

Is Delectorskya an actual Russian name? Did you mean people to think "delectable" when they read it?

Yes it is -- the female patronymic of Delectorski. I stole the name from a Russian model of Matisse -- he painted her a lot and was his muse, after a fashion. And you're absolutely right -- the @delectable@ echo is definitely there to be picked up!

krispycreme Wed 23-Jan-13 13:30:12

There was a Baader Meinhof subplot in the modern part of the book and also an Iranian revolution subplot but neither of these really went anywhere. Was this just a tease, or were you trying to say something about suspicion and peril continuing?