Apologies, I didn’t know a thread was already up and running. Mind you I like visuals when chatting!
“ The King’s body partly emerges from a storm of red strokes within an upright rectangular block, his red Guard’s uniform blending seamlessly into the background, thus camouflaging the military impact. Gone are formal tropes of drapery, or flashes of gilded ornamentation in favour of something altogether more dynamic and emotionally expressive
“I wanted to open up his character to other interpretations,” Yeo, who is a personal friend, told me when he first showed it to me a few weeks ago. “The military is not the thing we will know him for. I was after mystique rather than power – to throw in a bit of fairy dust if you like. To that end, I also changed the tone of red to something more artificial and fantastical”
Using his characteristic “non-finito” approach, Yeo has included the galaxy of medals and royal insignia… but left them semi unpainted beneath a red glaze. The King’s military and royal qualifications are thus faithfully incorporated, but do not dominate.”